Nordic Voices - Lamentations (2009)

Nordic Voices - Lamentations (2009)
EAC | FLAC IMG,CUE+LOG = 260MB | 400 dpi Scans
Choral | Label: Chandos - CHAN 0763 | FSe/FSo/MU/HF


“ Nordic Voices is a six-voice a cappella group blending solo and ensemble qualities. They have received glowing commentary on their concert performances, and their inaugural release on Chandos (CHSA5050) received praise from all corners of the globe. Washington Post wrote, ‘Intonations? Impeccable. Ensemble? Unfailing precision in phrasing, dynamics, colour – everything finely tuned. A succession of works ever-changing and expressing in meaning.’ Gramophone noted ‘ringing, clear timbres and an impressive blend.’

This current collection, superbly sung by these Norwegians, draws attention to the idea of global conflict. An idea inspired by the Offices of Tenebrae. The offices of Tenebrae (on the last three days of Holy Week) have always been celebrated with a sense of the drama appropriate to their commemoration of Christ’s Passion. The texts are about conflict and are as relevant and moving today as they must have been to the composers of the sixteenth century. Most major composers active in Catholic Europe in the late sixteenth century wrote at least one set of Tenebrae lamentations and/or responsories, partly because of liturgical demand but also because their highly-charged texts provided an opportunity for expressive writing.

The four composers represented here present a fascinating contrast to approaches to text setting. Luis de Victoria was born in Avila but spent his formative years in Rome where he published his Officium Hebdomadae Sanctae in 1585, containing a complete set of music for Holy Week. The lessons sung here come from all three days and show Victoria’s careful setting of the text and his ability to control texture by a constant grouping and regrouping of different voices. Perhaps unexpectedly, a significant group of Latin lamentation settings was composed in the England of Elizabeth I. The lamentation texts, with their undertones of religious persecution, could speak to both Protestants and Catholics alike. Robert White worked at Ely and Chester Cathedrals before moving to Westminster Abbey as Master of the Choristers by 1570.

“Victoria's wonderful settings first appeared in 1585. Nordic Voices take his precarious and adventurous lines in their strike, and they use dynamic shading to great effect. The big surprise on this disc is the astonishingly accomplished music by the English composer Robert White... Here musical architecture is everything. Nordic Voices wisely underplay the local false relations of the harmonies, but some superb passing details remain, such as the single dark, empty moment of desolate grief at 'dolor meus'.” BBC Music Magazine, February 2010 **** ”


Track listing
TOMAS LUIS DE VICTORIA (c. 1548-1611)
1 Lectio III, Sabbato Sancto. Incipit oratio Jeremiæ Prophetæ 6:33

2 Lectio III, Feria VI in Passione Domini. Aleph – Ego vir videns paupertatem meam 4:16

3 Lectio I, Sabbato Sancto. Heth – Misericordiæ Domini 4:02

4 Lectio III, Feria V in Cœna Domini. Iod – Manum suam misit hostis 6:44

DON CARLOS GESUALDO, PRINCIPE DI VENOSA (c. 1561-1613)
5 Responsorium II, Feria V in Cœna Domini. Tristis est anima mea 5:49

ROBERT WHITE (c. 1538-1574)
6 Lectio I and II, Feria V in Cœna Domini. Heth – Peccatum peccavit Jerusalem 17:54

GIOVANNI PIERLUIGI DA PALESTRINA (1525/26-1594)
7 Lectio III, Feria V in Cœna Domini. Iod – Manum suam misit hostis 8:33

8 Lectio III, Sabbato Sancto. Incipit oratio Jeremiæ Prophetæ 8:20

DON CARLOS GESUALDO, PRINCIPE DI VENOSA
9 Responsorium V, Feria VI in Passione Domini. Tenebræ factæ sunt 5:29

LOG
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 16. September 2010, 20:17

Nordic Voices / Lamentations

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Files
Flac 531 Kbps = 260MB
400 DPI PNG Scans = 82MB
or
400 DPI PDF Scans = 10MB

http://hotfile.com/list/869676/9824b76



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This current collection, superbly sung by these Norwegians, draws attention to the idea of global conflict. An idea inspired by the Offices of Tenebrae. The offices of Tenebrae (on the last three days of Holy Week) have always been celebrated with a sense of the drama appropriate to their commemoration of Christ’s Passion. The texts are about conflict and are as relevant and moving today as they must have been to the composers of the sixteenth century. Most major composers active in Catholic Europe in the late sixteenth century wrote at least one set of Tenebrae lamentations and/or responsories, partly because of liturgical demand but also because their highly-charged texts provided an opportunity for expressive writing.

The four composers represented here present a fascinating contrast to approaches to text setting. Luis de Victoria was born in Avila but spent his formative years in Rome where he published his Officium Hebdomadae Sanctae in 1585, containing a complete set of music for Holy Week. The lessons sung here come from all three days and show Victoria’s careful setting of the text and his ability to control texture by a constant grouping and regrouping of different voices. Perhaps unexpectedly, a significant group of Latin lamentation settings was composed in the England of Elizabeth I. The lamentation texts, with their undertones of religious persecution, could speak to both Protestants and Catholics alike. Robert White worked at Ely and Chester Cathedrals before moving to Westminster Abbey as Master of the Choristers by 1570.



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Nordic Voices is a six-voice a cappella group blending solo and ensemble qualities. They have received glowing commentary on their concert performances, and their inaugural release on Chandos (CHSA5050) received praise from all corners of the globe. Washington Post wrote, ‘Intonations? Impeccable. Ensemble? Unfailing precision in phrasing, dynamics, colour – everything finely tuned. A succession of works ever-changing and expressing in meaning.’ Gramophone noted ‘ringing, clear timbres and an impressive blend.’

This current collection, superbly sung by these Norwegians, draws attention to the idea of global conflict. An idea inspired by the Offices of Tenebrae. The offices of Tenebrae (on the last three days of Holy Week) have always been celebrated with a sense of the drama appropriate to their commemoration of Christ’s Passion. The texts are about conflict and are as relevant and moving today as they must have been to the composers of the sixteenth century. Most major composers active in Catholic Europe in the late sixteenth century wrote at least one set of Tenebrae lamentations and/or responsories, partly because of liturgical demand but also because their highly-charged texts provided an opportunity for expressive writing.



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Dominic was educated in the schools of Palencia, afterwards a university, where he devoted six years to the arts and four to theology.[citation needed] In 1191, when Spain was desolated by a terrible famine, Dominic was just finishing his theological studies.[citation needed] He gave away his money and sold his clothes, his furniture and even his precious manuscripts, that he might relieve distress. When his companions expressed astonishment that he should sell his books, Dominic replied: "Would you have me study off these dead skins, when men are dying of hunger?"[citation needed] This utterance belongs to the few of Dominic's sayings that have passed to posterity. In 1194, around twenty-five years old, Dominic joined the Canons Regular in the canonry of Osma, following the rule of Saint Augustine.[citation needed]

Übersetzung Deutsch Französisch
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